White Shadows Anneliese Hager and the Camera-less Photograph Carine Fol The copper-colored surfaces alternating along

The copper-colored surfaces alternating along the entire sequence reveal the metaphysical nature of the exploration of identity

Au fil de ses incursions

ils se sont mêlés au gouvernement en raison de leur longue et compliquée histoire en tant qu’exécutants du gouvernement

voir plus grand dans leurs revendications

dans leur ensemble forment l’identité sensible d’un lieu

White Shadows Anneliese Hager and the Camera-less Photograph Carine Fol The copper-colored surfaces alternating alongThe first ever monograph exploring the work of German photogram artist Anneliese Hager. This publication introduces the untold story of German artist and poet Anneliese Hager. Active from the 1930s to the 1960s, Hager began her photographic experimentation in Germany during the Nazi censure of modern art. Her preferred medium was the cameraless photograph, or photograman image made by placing objects directly on (or in close proximity to) a light