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TRICE est un magazine d’art indépendant créé par Inès et Sabrina Hadj-Hacene en 2015
by creating a loosened narrative where events and thoughts from a period of the artist’s life (translated into photographs and texts) falters freely between different times
such as Germaine Krull’s ‘Métal’ (1928) and ‘Diane Arbus: An Aperture Monograph’ (1972)
selon ses propres termes
Leomi Sadler
Scratching on surface of blurry echoing, the grain police TRICE est un magazine d’artEdition of 100. The extension of an angle first approached by Vutuc in the context of the 2018 George Pomp It Up residency in Nancy, France, SCRATCHING ON SURFACE OF BLURRY ECHOING, THE GRAIN explores the credibility of appearances even as strong as tangible, via a questioning of the physical medium as an effective format to relay data, highlighting its inherent limitations. One reoccurring theme in Vutucs work is the transmission of information,
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